This work examines how it is possible to document the time created by the artist’s encounter with Okabe-san, a patient with an intractable disease, in the new medium of VR. Unlike the editing in which a single moment of time flows on a rectangular screen, which is often assumed to be a prerequisite for video, this work attempts to deconstruct contemporary vision and sense of time corrected by various devices by arranging images and texts as objects with variable shapes, positions, rotation, scale, and other aspects.